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uniPet 03: Silverman (aka: The Artifact)

uniPet03_WithCase
This uniPet turned out really great. I made it for my friend Phil “Silverman” Knight of The Legendary Pink Dots. I made an Opera Daisy for The Dots some years before (They used it on Alchemical Playschool), but Edward Ka-Spel, Phil’s cohort in LPD, claimed it as his own, conversing with it late into the long Nijmegen nights, so I kept threatening to make a gadget for Phil also. After a doing keyboard bend that ended up being far too cantankerous to give to him, I built this uniPet for him instead. He calls it “The Artifact.”

I enclosed the uniPet in a previously white makeup case from the 60’s, painted the case black, stenciled dots onto it and made a custom luggage tag. I told Phil not to treat the case preciously but throw it into the mix with the rest of his road gear as the black will scratch off over time to reveal the white case below, giving the case an accelerated aged look.

The round thing at the bottom of the pic is a color changing LED light (also patinated) to be used as an optical sequencer on the optical resistor.

The beauty of this particular series of gadgets is that the electronic basis is an AM radio. Depending on where the gadget is played the sounds are entirely different. I’ve played my uniPet 01 in the mountains and have gotten beautiful pulsating soundscapes which are entirely different than the sounds I get when I am at home in Orange County, CA or in the Bay Area. I can’t wait to hear the sounds Phil gets in Nimegen, Holland, or in other European locales. (hint hint, Phil…sounds please…)

uniPet03_SideLt

I spent lots of time with the design, engineering and patina finishing of this uniPet.

The base is made from an old lamp and a 60’s microphone holder with USB flexible lights used as cable runs to service the optical resistor behind the red LED cover. The silver ring between the lamp base and mic holder is the platter locking ring from inside a hard drive.

For human contact resistance points I used 2 punk rock spikes on the bottom of the ball radio and a handle from an old ice bucket on the top. The leathery trim under the punk rock spikes was cut from an old rotting trunk I had in my garage.

The rust patina turned out really great. Lots of layers and rough sanding in-between. I also learned the trick of spraying water onto the layers, letting dry, then re-applying patina agents. This gives it a really great left-out-in-the-weather rusted look.

This one also has a UV LED in the dial area which works like a magic eye as in old radio sets, glowing brighter with stronger signal and pulsing with audio volume changes.

uniPet03_Phil02Here I just presented uniPet 03 to Phil at Cafe Du Nord, 11/14/10, The Legendary Pink Dots’ 30th Anniversary Tour! He was floored! He has said that he really loves this gadget, takes it on tour with him throughout Europe (The Dots tour quite a bit) but is apprehensive of travelling by plane with it. Security people tend to get a little freaked out over circuit bent gadgetry. I travel by plane quite a bit too with circuit bent gadgetry and its always interesting to see the looks on the TSA workers faces when I show them my gear.

Phil says of uniPet 03: “We all name our house pets and my uniPet I’ve named “The Artifact”……because it looks like something that could be off-world technology, and what emits from its bended circuits between the radio stations can sound rather spectral and rather special too (btw: an early Silverman cd release bore the name “Spectral Artifact”).

“Artifact’s range of use is huge, I’ve found. On it’s own with no processing it can be as brutal as a brick; sweeping the edges of station frequencies through simple delay/reverb will have you sounding like your favourite space rock band. The light sensor brings into play trance possibilities. Even moving your hands close to Artifact’s body will subtly change the sound.
Altogether a most wonderful and versatile noisemaker.”

Thanks, Phil.

Big City Orchestra (the art/anti-art noise group I’m involved with) opened up for the Dots, which we tend to do whenever they are in the Bay Area.

Silverman_DuNord_Wentzel

Cafe Du Nord San Francisco Nov 19, 2010. Randy Wentzel short video

Source: http://techdweeb.com/uniPet03.html

 

Connecting The Legendary Pink Dots. And An Important Confession.

By Amanda Palmer source
October 29th 2010

Amanda Palmer blog photothis is a blog that i’ve wanted to write for ages.

(warning: if you’re in new york and you get this before showtime, head to see the pink dots tonight at le poisson rouge. tickets here/prolly at the door. ok? ok.)
and it’s long. if i’ve told parts of this story before, forgive me. i know i have.
now i connect the dots.
and sort of like the robert smith blog, it’s been brewing for years, and i suppose this is the time….in fact, this is SO the time that’s its not even fucking funny.

Continue reading Connecting The Legendary Pink Dots. And An Important Confession.

Ten Rejected Glee Episodes

HOUSTON PRESS

Ten Rejected Glee Episodes (full article)

by Jef With One F

(excerpt)
The Legendary Pink Dots:

Brittany begins to wander around school barefoot in prophetic robes while the Gleesters slowly begin hanging on her every oddball utterance, culminating in a dream sequence where Brittany starts her own cult while singing “A Velvet Resurrection” at an assembly of enthralled students. Puck, Artie, and Finn sing a heavy metal trio version of “Princess Coldheart” to release some of their anger at the unreasonable romantic demands of the girls. Sue grows a lion tree. LPD founder Edward Ka-Spel guest stars as Brittany’s psychiatrist.

Opera Daisy—Iteration the Second: Pink Dots Edition

ODPDbox01This version of the Opera Daisy was created especially for The Legendary Pink Dots. They used The Daisy on their EP Alchemical Playschool.
Here’s the story of how it came about:
Back in October 2000 dAs and Ninah (of Big City Orchestra) got married, renamed themselves Ninah and dAs Pixie, and traveled to Europe for their honeymoon/tour where they spent a few days with longtime friend Phil (Silverman) Knight of LPD in Nijmegen, Holland. There Phil had his first encounter with the original prototype Opera Daisy which I had given to Ninah and dAs as a wedding/tour gift.
Phil was quite impressed and amused with this curious little noisy flowerpot gadget.

Fast forward to mid-October 2003. Edward Ka-Spel of LPD did a solo tour, with a date at Cafe Du Nord in San Francisco. He stayed with Ninah and dAs, and there had a chance to play with their Opera Daisy.
He loved it! Edward went off by himself for a bit and wrote a little piece for it (renaming it “George”), and encouraged Ninah to perform with the gadget at the show that night. Madness ensued. (Unfortunately, I was unable to attend…)

I decided I had to make a special edition just for the Pink Dots. After all, they had given me 20 years of inspiration with their music. It was a great thing to be able to give something back.

I found out that there were some LPD shows scheduled for June 23rd & 24th 2004 in SF, again at Cafe Du Nord. Big City Orchestra was opening for them (doing an noisy ubish version of Verdi’s il Travatore or The TraUBador), and I was going to be running sound for BCO. This was my chance.

On ebay I was able to locate a few more of the raw Dancing Daisies, and I began work on the Pink Dots special edition.

ODPDpinkswitchI had mapped out the board already, and the new gadget would have basically the same functionality as the other Opera Daisy (2 optical resistors sewn onto the leaves to control the issuing noise optical-theremin-style) with some minor interface changes, so doing the electronix was the easy part. The paint job was fairly complex and took the most time. I decided to go with a black and white theme, with a few pink dot accents here and there: pink around the main toggle switch (which is: center mute, up and down make noise, each slightly different, the down adding a bit of distortion to the sound), and pink at the center of the flowers. Each flower had to be taken apart and individually painted, as well as the stripes on the stems. See here for some construction shots.

The Dots would also need a secure box to transport it as they live in Nijmegen, Holland, and tour Earth a lot. I custom painted a chinese box I got with a clock: painted it black then stenciled on fields of pink dots (I collect all kinds of perforated metal and plastic for stenciling gadgets). The box does look too narrow, but the leaves on the Daisy fold up and, with some extra added foam, it fits nice and snug.
As a whole design idea and package, the Daisy and box turned out really great. A coherent and satisfying design project from start to finish.

So, then I presented the Opera Daisy to Edward and Phil.
At the Cafe Du Nord show on June 23rd, the Pink Dots were running late, coming from the show the night before in LA. After they arrived, everyone was very stressed out, and sound check for both the Dots and BCO was strained and rushed. But, when there was a few minutes of calm, dAs encouraged me, and we grabbed Phil and Ed and took them to our green room.
I said I had a special gift for them…I pulled out the box and handed it to Edward. His eyes lit up. He and Phil knew that I was the one who built the other Opera Daisy “George,” and as they opened the box, they yelped in delight. This they didn’t expect! Their very own whimsical singing flowerpot! Both Ed and Phil couldn’t believe it, and were very grateful and excited to play with it. But, the show was to begin soon, and the playing with the gadget had to wait until tomorrow.

The next day, I went over to dAs and Ninah’s house, where Phil, Edward, and Lisa (the Dots tour manager, webmistress, list moderator, and everything-else extraordinaire) had stayed the night before.

There Phil and Ed were able to relax for the day (after something like 28+ shows and another 8 to come). We hung out and shot the shit for the afternoon, getting ready for the next show that night. It was a pleasure to hang out with them, and find many things we had in common. I feel that I met two new friends that day…

We also took some shots of them playing with the Opera Daisy.
This shot on the left is (from the left) Phil (looking on), Edward (playing the Daisy), and me (grading Ed’s performance technique: B+, some room for improvement, but catching on quick. It is a very subtle instrument; minor movements are necessary to achieve the greatest effect).

ODPDPhilEdNMe

Here are more shots from that afternoon.

And, don’t worry Phil. I know Ed’s going to hog the gadget. I’m making a special gadget for you…
Completed: June 21st, 2004
Dimensions: Appx. 12″ high
Current Status:

Pissing off Edward Ka-Spel’s neighbors

Audio Bits:
Pretty much the same as the original Opera Daisy.

The Dots used the Opera Daisy on their 4 track EP “Alchemical Playschool”
available on Bandcamp.

Source: http://techdweeb.com/OperaDaisyLPD.html