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El Kaleidoscopo Terminal

THE LEGENDARY PINK DOTS

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Cover ImageRelease date and tracklist

2002

US LP Caciocavallo CAL027

side a

  1. Scarlet Wish – [MP3]
  2. All Sides – [MP3]
  3. Sterre – [MP3]
  4. A Sunset For A Swan – [MP3]

side b

  1. Little Romeo –  [MP3]
  2. Lucifer Landed – [MP3]
  3. Cheating The Shadow – [MP3]
  4. Blue (Full Glory)
2004

MX CD Noise Kontrol nkcd007

  1. Scarlet Wish – [MP3]
  2. All Sides – [MP3]
  3. Sterre – [MP3]
  4. A Sunset For A Swan – [MP3]
  5. Little Romeo – [MP3]
  6. Lucifer Landed – [MP3]
  7. Cheating The Shadow – [MP3]
  8. Blue (Full Glory)
  9. Ghost – [MP3]
  10. Hallway – [MP3]
  11. Slaapliedje – [MP3]

A vinyl LP compiling tracks from Hallway of the Gods, Chemical Playschool 10, Nemesis Online and A Perfect Mystery. Includes a previously unreleased version of “Blue” from A Perfect Mystery. Limited edition of 500 copies.

CD edition from Mexico’s Noise Kontrol containing three more tracks than the LP edition.

Caciocavallo Reissue Collection

THE LEGENDARY PINK DOTS

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2002

US CDx10 Caciocavallo

  • The Lovers
  • Asylum
  • Island of Jewels
  • Any Day Now
  • The Golden Age
  • The Legendary Pink Box
  • The Crushed Velvet Apocalypse
  • The Maria Dimension
  • Shadow Weaver
  • Malachai

Notes

Special box set commissioned by Caciocavallo and made by Beta-Lactam Ring’s Chris McBeth to commemorate the completion of the reissuing of ten LPD CDs originally released by Play It Again Sam.
The “box” is made of varnished pine and two pieces of sheet metal. Limited and numbered hand-made edition of 24, of which 12 were given away to the band and friends, leaving 12 sets available to the general public. Six of these remaining sets were sold through the Soleilmoon website and the last six were auctioned off on e-bay, one at a time, over a six-week period.

Synesthesia

THE LEGENDARY PINK DOTS

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Cover ImageRelease date and tracklist

2002
IT CD SPKR THUK VIII

2009
PL CD Big Blue Records ‎– 8483488 (alternate cover)

  1. Shining Path – [MP3]
  2. Rome – [MP3]
  3. Kami Kai – [MP3]
  4. Premonition 26 – [MP3]
  5. Premonition 28 – [MP3]
  6. The More It Stays The Same – [MP3]
  7. Flashback – [MP3]
  8. Kalos Melas – [MP3]

***
Cover Image10 February 2013
NL remastered MP3 self-released on Bandcamp

  1. Shining Path / Rome
  2. Kami Kai / Premonition 26 / Premonition 28
  3. The More it Stays the Same
  4. Flashback
  5. Kalos Melas

 

***
Cover Imagepending early 2015
US 2xLP reissue Soleilmoon 11864
US 2xLP reissue Soleilmoon 11865
US 2xLP box set reissue Soleilmoon 11866

  1. Shining Path – [MP3]
  2. Rome – [MP3]
  3. Kami Kai – [MP3]
  4. Premonition 26 – [MP3]
  5. Premonition 28 – [MP3]
  6. The More It Stays The Same – [MP3]
  7. Flashback – [MP3]
  8. Kalos Melas – [MP3]

 


 Credits

  • Edward Ka-Spel – voice, keyboards, electronics
  • The Silverman – keyboards, processes
  • Martijn de Kleer – guitars, violin
  • Niels van Hoornblower – horns
  • Raymond Steeg – sound wizardry

Produced by EK.  Polish reissue with new cover art by Zdzisław Beksiński.


Press Release (LP reissue)

Once described by Edward Ka-Spel as a companion to Chemical Playschool: Vols. 11, 12 & 13, Synesthesia is finally pressing in Deluxe Double Vinyl Edition. It is a great Esoteric and Experiemntal album totally original in comparison to All the King’s Horses and All the King’s Men, the two “song” albums released later that same year. Brilliant excursion into ambient abstraction in the “Premonition 26″/”Premonition 28″ sequence, in matters of experimental music, “Flashback” is much successful with its creaking sounds and ghostly, ectoplasmic aural reminiscences. Song-wise, “Shining Path” and “The More It Stays the Same” are great efforts, and put Synesthesia being an essential LPD title. Historically, it is noteworthy for being the first album featuring the quartet lineup of Ka-Spel, the Silverman, Niels van Hoorn, and Martijn de Kleer, with Raymond Steeg in the control room.


Notes

from Bandcamp: Unofficially “Synesthesia” is “Chemical Playschool 14” comprising of parts that didn’t make it to the CP 11-13 box set. Even so, “Shining Path” was a brand new piece which just didn’t seem to fit anywhere….except here.

First release was for Italian label SPKR Records in an edition of 1,000; it has since been reissued on Big Blue, Poland.

LP reissues:
11864- Gatefold Cover: 600 copies, Black Vinyl
11865- Gatefold Cover: 100 copies, White Vinyl
11866- Gatefold Cover: 100 copies Deluxe Box-Set, black vinyl, including T-Shirt, Poster and a Special Bonus CDR.


Reviews

Synesthesia serves as a companion to Chemical Playschool Volumes 11, 12 and 13, with eight indexed tracks, 57 minutes total, and 28 minutes worth of Premonitions smack dab in the middle. Niels and Martijn are credited with horns, guitars and violin but there’s certainly an absence of evidence to prove it. Like Ka-Spel and The Silverman’s solo efforts, the dominating sound is electronic via synths, samples and programmed drums and the majority of the album is instrumental sound pieces. ‘Shining Path’ and ‘The More It Stays the Same’ are the two lyrical songs, delightful ones at that, but even they dissolve into audio experimentation. The Premonitions are, as always, fantastic escapes. Numbers 26 and 28 range from the faintest stirrings of mist and found sound to angry resonance and rhythmic clickety-clack. The closer, ‘Kalos Melas’, features the cutest marching melody you’ll likely hear this year. To my ears “Synesthesia” sounds very polished, much more so than the CP set, possibly negating the theory that these were the outtakes. It’s just further proof, as though more were even needed, of two things: the Dots are both song crafters and sonic sculptors and they’re as creatively sound as ever. – Mark Weddle, Brainwashed

***

Synesthesia is a low-key release for the Amsterdam based modern psychedelic outfit the Legendary Pink Dots, lead by the enigmatic Edward Ka-Spel. The Dots material herein is a companion release to Chemical Playschool volumes 11, 12 and 13, and is perhaps more electronic oriented than the usual Dots fare. There’s little evidence of saxophone or acoustic guitar but there are a number of good tracks including ‘Shining Path’ and ‘The More It Stays The Same’ which captures the Dots musical craftsmanship while providing an insight into the peculiar poetic vision of Ka-Spel, delivered in his customary nasal Syd Barrett-esque tones. Synesthesia also features some more overtly experimental sound pieces. A low-key release but the fact that the Dots continuously make available this type of quality material frankly warms my heart. This isn’t by any means a new release, and I believe it is limited to a couple of thousand copies but we recently received a copy for review so there must be some left somewhere, track it down if you’re interested in the Dots more electronic escapades. –compulsiononline.com

An Unlikely Event

EDWARD KA-SPEL & FRIENDS

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Cover ImageRelease date and tracklist

24 Apr 2003
NL CD-R Trademark Of Quantity

  1. Introduction
    Our Captain’s Eyes
    The Warden
    Prisoners Of War
    Suicide Pact
    The Third Secret
    Behind Fishnet Curtains
    Atomic Roses
    Oven O’One
    This Fragile Love
    Defeated
    Lilith’s Daughter

 

15 April 2013
NL remastered MP3 self-released on Bandcamp (alternate image)

  1. Introduction + Our Captain’s Eyes
  2. The Warden + Prisoners of War
  3. Suicide Pact
  4. The Third Secret + Behind Fishnet Curtains + Atomic Roses + Oven O’One + This Fragile Love + Defeated
  5. Lilith’s Daughter

 

January 6, 2024 Cover Image
NL/UK remastered MP3 / CD-R self-released on EK’s Bandcamp

  1. Introduction / Our Captain’s Eyes
  2. The Warden
  3. Prisoners Of War
  4. Suicide Pact
  5. The Third Secret
  6. A Tale of Darkest Revenge (improvisation)
  7. Atomic Roses
  8. Nicoletta’s Improvisation / This Fragile Love
  9. Defeated
  10. Lilith’s Daughter

 


Credits

  • Edward Ka-Spel – keyboards, voices
  • The Silverman – keyboards
  • Nicoletta Stephanz – Theremin, Electronics [Devices]
  • Raymond Steeg – sound wizardry

Notes

2003 release
“Recorded live in Stuttgart, June, 20th 2003.
Limited edition of 399 copies.

***

2013 release
from Bandcamp: It all began so informally. EK had fixed a few low key solo shows around Europe to simply try and limp by for another month or 2 while old friend Nicoletta Stephanz just happened to be in Europe and had brought her theramin and box of delights with her.

A collaboration seemed like a first class idea -even though rehearsals were out of the question. In fact EK and The Silverman had chalked up quite a few duo shows in the last years which turned out to be enormous fun if a tad unpredictable .

Nicoletta’s presence added that extra element of chance – but hell, what a glorious element.
At one point it was if she was playing the air itself with a magic wand. EK and Silverman just stared …open-mouthed…Marvellous. Damn it was so special. Then there was her voice part …..a massive choir of her voice through a myriad of effects. Swathes of improvisation occurred.
In fact the concert represented here (at Stuttgart) for this cdr release was one of the first…..this trio went on to tour the US finishing with a bizarre climax in Seattle where the whole audience joined in with the band in a song about a happy doughnut.

There were other faces onstage too. Ninah Pixie played a circuit bent flower with the trio in San Francisco, EK’s all-time hero Daevid Allen joined the band for the encore section of the same show.
A most unlikely event and also unforgettable….Cover design by Ray.

A big thank you to Nicoletta and Lisa

***

2024 remaster
A shiny new cover by Edward Ka-Spel and completely handmade.   Limited edition of 99.

 

Pieces Of ∞

EDWARD KA-SPEL

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Cover ImageRelease date and tracklist

2004
US CD Beta-Lactam Ring MT082
  1. The Writing On The Wall
  2. Here Comes The Night
  3. Comedown
  4. Alms For Lepers
  5. Shanti
  6. 8.2
  7. 8.3

 

side a

  1. The Writing On The Wall
  2. Here Comes The Night

side b

  1. Comedown
  2. Alms For Lepers
  3. Shanti

side c

  1. 8.2
  2. 8.3

side d

  1. Wall Of Fire – [MP3]
30 July 2014
NL enhanced redux MP3 self-released on Bandcamp
  1. Writing On The Wall
  2. Here Comes The Night
  3. Alms For Lepers
  4. Comedown
  5. Shanti
  6. 8.3.8.2
  7. Wall Of Fire
  8. Much Too Old And In The Way
August 1, 2024
UK/NL MP3 remaster self-released on EK’s Bandcamp
  1. Writing On The Wall
  2. Here Comes The Night
  3. Alms For Lepers
  4. Comedown
  5. Shanti
  6. 8.3.8.2
  7. Wall Of Fire

 


Credits

Edward Ka-Spel – all instruments & voice
Raymond Steeg – mastering


Notes

MT082b is limited to 333 copies with a signed insert and bonus 4th side of music
MT082b-art is limited to 33 copies and is in plain white sleeves covered in dripped wax.

MT028c is an edition of 75 numbered copies in a silk screened textured tin case with two photo inserts and CD
LAC09 is limited to 5 copies, it was meant to be an acetate but is actually a laquer, and features an alternate mastering to the final release.

***

From Bandcamp: 2004. A cold February…cables winding across the living room floor, the little D16 portastudio working overtime, scraps of paper, scraps of lyrics, scratched lyrics with angry lines.”Pieces of Infinity” was born in chaos. Some albums begin well but develop into a battles…strangely ,this one was a battles from the very inception. The result is a collection of songs and scapes that just could have benefited from a little editing.

For this enhanced Redux edition, I was tempted to make those cuts too….but sometimes it’s best to leave history alone.  Included here is “Wall of Sound” from the vinyl edition of “Pieces” plus “a heavily abridged “Much Too Old and In The Way” from a release for an art exhibition in 2004. EK


Reviews

This album is referred to at times as Pieces of Infinity or Pieces of Eight and it ranks as one of Edward Ka-Spel’s best solo efforts. First noticeable is a comeback to the song format (which his previous full-length for Beta-Lactam Ring, O’er a Shalabast’r Tyde Strolt Ay, lacked), thanks to the opening “The Writing on the Wall,” a cross between French alternative chanson (read: alternative pop with accordion) and Ka-Spel’s very own universe (and is that a touch of Pink Floyd’s “Outside the Wall” we hear?). The accordion will be back in “Shanti,” a simple and extremely sympathetic sea shanty pastiche. In between, we come to a smorgasbord of mutating pop, from the industrial mood of “Comedown” (definitely retro-Legendary Pink Dots), to the extended “Here Comes the Night,” which blends electronic soundscaping and fragile piano melodies. The whole thing has a dark, whimsical feel to it, even in the lighter tunes, but the climate intensifies in the closing “8.2 8.3,” a 15-minute collage extravaganza, with bits of Mellotron, Frippian guitar, laughing children, pouncing beats, and moments of troubling discorporeality. No single track here would do justice to the album as a whole (although “8.2 8.3” comes close) and so Pieces of Infinity is a case of album-listening, where one needs to dive in for the long haul in order to experience all facets of the music. A story is clearly being told, although the number of listens required to unlock its actual narrative is still unknown. This album is brilliant, not because of that obscurity, but because it is not felt as such. –François Couture, allmusic.com

 

All the King’s Horses

THE LEGENDARY PINK DOTS

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Cover ImageRelease date and tracklist

2002
US CD Caciocavallo CAD028
PL CD Big Blue L-0132 (alternate cover)

11 June 2012
NL Remastered MP3 self-released on Bandcamp

  1. The Unlikely Event – [MP3
  2. The Way I Feel Today – [MP3]
  3. 12th – [MP3]
  4. Our Dominion – [MP3]
  5. Chain Surfing – [MP3]
  6. Just Wave – [MP3]
  7. It’s The Real Thing – [MP3]
  8. A Bargain At Twice The Price – [MP3]
  9. Daisy – [MP3]
  10. Birdie – [MP3]
  11. Lisa Goes Surfing – [MP3]
  12. Wax And Feathers – [MP3]

US LPx2 Caciocavallo CAL028

side a

  1. The Unlikely Event – [MP3]
  2. The Way I Feel Today – [MP3]
  3. 12th – [MP3]
  4. Our Dominion – [MP3]

side b

  1. Chain Surfing – [MP3]
  2. Just Wave – [MP3]
  3. It’s The Real Thing – [MP3]
  4. A Bargain At Twice The Price – [MP3]
  5. Daisy – [MP3]

side c

  1. Birdie – [MP3]
  2. Lisa Goes Surfing – [MP3]
  3. Wax And Feathers – [MP3]

side d

  1. The Emergency Exit – [MP3]

Credits

  • Edward Ka-Spel – Voice, Keyboards
  • The Silverman – Keyboards, Electronics
  • Martijn de Kleer – Guitars, Violin
  • Niels van Hoorn – electric horns
  • Raymond Steeg – sound wizardry

Cover (Caciocavallo) by Nienke Poiesz /Cover Artwork (Big Blue) – Zdzisław Beksiński


 Notes


From Bandcamp: 2001.  Post 9/11 and the shock of that terrible day permeates this recording (except ,ironically, the opener which pre-dated the cataclysm by a good 6 months).
Perhaps LPDs never sounded more melancholic and “Horses” rates in the top 3 of EK’s favourite Dots albums, but it was sadly overlooked by a World which was also in a state of shock.
The little boy on the cover is EK’s son, Tristan

***

“I never liked discussing my own lyrics. In the early days of the Pink Dots, I steadfastly refused to include lyric sheets with the albums, in the belief that a listener cannot enjoy or enter a piece of music if she or he is reading and listening at the same time. However, when those lyrics began to be transcribed poorly and sometimes misinterpreted, understandably, by the people who bought the albums, I was forced to relent. I began writing the words for “All the King’s Horses” and sister album, “All the King’s Men” (on ROIR), early in 2001 with The Unlikely Event. The piece outlined a scenario which could occur in a society increasingly obsessed with technology. A plane is about to crash and one of the unfortunate passengers feels the need to phone his wife on his mobile, only to receive her voice-mail. A runaway train was set in motion with that song. Pieces were written furiously throughout the rest of the year – before and after September 11th. As a result, “All the King’s Horses” and “All the King’s Men” appear thematic– not by design, but on account of a body of work being made in a period when the World really did change. My silent wish is that this work leaves the listener hopeful. Even at a moment in time when only madmen of ALL creeds and colours seem to have the fate of this fragile planet in their hands. Let live.” ~Edward Ka-spel~