Releases-LPD

Live at La Luna

THE LEGENDARY PINK DOTS

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Cover ImageRelease date and tracklist

1998
US VHS Soleilmoon VISOR003

2004
US DVD Soleilmoon SDVD 1

  1. Hallway
  2. Monologue
  3. On High
  4. Spike
  5. Love in a Plain Brown Envelope
  6. Destined to Repeat
  7. Harvest Babies
  8. Velvet Resurrection
  9. Hellsville City of Needles

Credits

  • Edward Ka-Spel – Voice, Keyboards
  • The Silver Man – Keyboards, Electronics
  • Edwin von Trippenhof – guitar, occasional bass
  • Ryan Moore – drums, occasional bass
  • Niels van Hoornblower – horns, flute
  • Frank Verschuurend – live sound

Notes

Recorded on September 13, 1997 at La Luna, Portland USA. Originally released only in North American format (NTSC), although the LPDs had 100 copies specially made in European format (PAL) for sale via mail order. In early 1999, a PAL edition was commercially released. The DVD contains some minor audio defects.  Program length: 60 minutes
SING WHILE YOU MAY DAZHTANII


Product Description

Recorded in 1997 near the end of their “Hallway of the Gods” tour of Canada and America, and originally issued in VHS format in 1998, “Live at La Luna” reveals like never before the magical atmosphere of sound and light created by Edward Ka-Spel and his talented crew. Captured by a pair of roving cameramen and a center camera filming from the balcony, the performance is presented as an ever-evolving collage of music and faces, from the keyboards of The Silverman to the saxophone flourishes of Niels van Hoorn, from the rhythm-n-bass section of Ryan Moore (Twilight Circus Dub Sound System) and Edwin von Trippenhof to the inimitable vocals of Edward Ka-Spel.

Regrettably, there were several minor glitches in the audio part of the program we were unable to completely repair. We don’t think they detract in any way from the performance, but an attentive listener may notice them. For this reason we have included a disclaimer on the outside of the packaging to warn consumers of the defects. Nevertheless we feel the uniqueness of this release, combined with its low price, will please the loyal followers of this legendary group.

 

Chemical Playschool Volumes 16 & 18

THE LEGENDARY PINK DOTS

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Cover ImageRelease date and tracklist

07 September 2014
NL 2xCD-r self-released on Bandcamp
NL MP3 self-released on Bandcamp

  1. Chemical Playschool 16 Part 1 17:40 (1.Nemesis/ 2.The Line In The Sand)
  2. Chemical Playschool 16 Part 2 22:29 (3.Den Of Disrepute/ 4.Hotline / 5.The Monsters Take The Fun Away/ 6.Because It’s There/ 7.Spirit Of ’81)
  3. Chemical Playschool 16 Part 3 13:48 (8.Fever Fever/ 9.The Abduction Of Henry)
  4. Chemical Playschool 18 38:50 (1.The Things They Do On Planet U/ 2.Fantastic Voyage Parts 1-3/ 3.Pink Receptacle/ 4.The Only Living Doll In The Dolls’ House)

 


Credits

  • Edward Ka-Spel
  • The Silverman
  • Erik Drost
  • Raymond Steeg

Cover Art by Anita Hammer


 

Notes

The creatures who frolic in the Chemical Playschool have again escaped their test-tubes, and hell, this time they have gone too damn far…

Recorded from May through July 2014 at The Dolls’ House, London and The Silver Studio in Nijmegen. Mastered by Ray.

CD-R: Lovingly home-made double cdr package with sumptuous full-colour fractal artwork and inserts in a card cover ( no plastic!). Edition of 299

 

 

Live at the Metro

THE LEGENDARY PINK DOTS

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Cover ImageRelease date and tracklist

1999
PL CD/CS SPV 150122
  1. Spike
  2. Aarzhklahh Olgevezh
  3. Green Gang ’98
  4. Zoo
  5. Saucers Over Chicago
  6. Fate’s Faithful Punchline
  7. Pain Bubbles
  8. Grain Kings ’98
  9. Andromeda

26 November 2013
NL enhanced MP3 self-released on Bandcamp

  1. Spike / Aarzhklahh Olgevezh
  2. Green Gang ’98
  3. Zoo
  4. Saucers Over Chicago
  5. Fate’s Faithful Punchline / Pain Bubbles / Grain Kings ’98
  6. Andromeda Suite

 


Credits

Edward Ka-Spel – Voice, Keyboards
The Silver Man – Keyboards, Electronics
Edwin von Trippenhof – guitar, occasional bass
Ryan Moore – drums, occasional bass
Niels van Hoornblower – horns, flute
Frank Verschuuren – live sound
Paul Newman – drums on “Aarzhklahh Olgevezh”


Notes

Recorded live at the Cabaret Metro, Chicago on November 11, 1998.

SING WHILE YOU MAY DAZHTANII

From Bandcamp: 1998.The intention was THE definitive live album and everything was prepared for the recording to be made in Poznan, Poland. In fact a mobile 24 track studio captured everything perfectly and the band’s Polish label, Big Blue intended to release it exclusively. The trouble is, when the band heard the mixed results, a cloud of disappointment hung in the air. It was just, well, too clean. In the meantime a tape landed at Chez Dots of their show at Cabaret Metro in Chicago, and if the sound quality wasn’t the greatest, the spirit of the performance was excellent. It made for a curious cd release. The sound of Chicago, the sights of Poznan, the occasional typo from Warsaw. It’s now out-of-print, but here for your delectation, AND the sound has been a little enhanced.
Do listen out for some spectacular guitar playing from Edwin.


Reviews

Recorded live at The Metro in Chicago, on November 11, 1998, this album captures the Legendary Pink Dots in very fine form, if not in very good sound. The set list features a nice cross-section of the band’s ‘90s output, with songs taken from the albums Hallway of the Gods, Crushed Velvet Apocalypse, andThe Maria Dimension, among others, plus a song (“Pain Bubbles”) that would end up on their next studio album, the superb A Perfect Mystery.

The lineup for this tour consisted of Edward Ka-Spel, Phil Knight, Edwin van Trippenhof, Ryan Moore, and Niels van Hoornblower. Highlights abound, such as Van Trippenhof’s raging guitar solo in “Grain Kings ’98,” but the real treat is the ten-minute “Saucers Over Chicago,” a version of “The Saucers Are Coming” adapted for the occasion, a reverse take of sorts on Welles’ War of the Worlds. “Andromeda” also gets a powerful treatment, bringing the album to a close on a bombastic note.

In terms of material performed and performance quality, Live at the Metrobeats Farewell, Milky Way, released a year later though recorded four years earlier. However, sound quality-wise, the situation is inverted, as Live at the Metro sounds rather hollow, with too much echo. Despite this shortcoming, it makes for a very fine live document that fans will appreciate. But newcomers are better off trying some of the group’s highest-rated studio efforts before dipping their ears into this release. -François Couture, allmusic.com

***

Overall impression: good.  Finally … a live record from the ’90s!  I believe the Pink Dots are one of those bands you have to see live to fully appreciate.  As brilliant as they are on record, they’re an even more fulfulling experience to take in live. Every band member is an essential part of the music and each flawlessly and effortlessly play their part to perfection.  They have a unique sound that borrows in varying degrees from psychedelic, ambient, progressive rock, experimental, electronic and folk musics … blend it all together and add Ka-Spel’s *very* unique voice and you have LPD.

I was fortunate enough to be at two shows about a week before this show (11/11/98 Chicago) so this cd helps bring back some fond memories.  The tracklisting is a good assortment of songs spanning the various styles and history of the Dots:  a new song (“Pain Bubbles”), a few from 1998’s “Nemesis Online“, a few from 1997’s “Hallway of the Gods“, and four updated classics.  The real treats here for me are Aarzhklahh Olgevezh, Green Gang 98 (with extended guitar intro and chaotic “freakout” section), Saucers Over Chicago (with an always amusing spoken story from Edward, different each night), Fates Faithful Punchline (achingly beautiful horn work by Niels) and Andromeda (which is similar to the updated version on 1998’s “The Pre-Millennial Single” and is what I figure will be the closest I’ll ever come to seeing 60’s Pink Floyd). I love this stuff.

Some minor quibles that keep this disc from being perfect:  “Green Gang 98” and “Zoo” have some sound issues, a clipping/skipping sort of sound that may be due to how the cd was mastered.  It’s annoyingly noticeable on headphones, not so much on a home stereo though.  “Grain Kings 98” isn’t quite as tight as it should be and Edward’s vocals are muffled through much of it.  And, then there’s the missing songs from the set:  “Princess Coldheart”, Dissonance”, “Cheating the Shadow”, “Blacklist”, “Casting the Runes” and “Hellsville” … understandable since it would have required two discs for the entire set.  The booklet is nicely done with 14 pages of color live shots of the band. “Live at the Metro” isn’t perfect, but I’m pretty happy with it.  Sing while you may … –Brainwashed.com

 

 

A Guide To… Vol. 1: The Best Ballads

THE LEGENDARY PINK DOTS

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Cover ImageRelease date and tracklist

2000
PL CD SPV L-0012

  1. Fate’s Faithful Punchline – [MP3]
  2. The More It Changes – [MP3]
  3. Clockwise
  4. I Love You In Your Tragic Beauty – [MP3]
  5. Pennies For Heaven – [MP3]
  6. Belladonna – [MP3]
  7. Sterre – [MP3]
  8. Remember Me This Way – [MP3]
  9. Damien – [MP3]
  10. Cheraderama – [MP3]
  11. Zero Zero
  12. Joey The Canary – [MP3]
  13. The Ocean Cried Blue Murder – [MP3]
  14. Home – [MP3]

Credits

Edward Ka-Spel – Voice, Keyboards
The Silverman – Keyboards, Electronics
various others….


Notes

The first in a planned series of themed anthologies giving an overview of the band’s output. Booklet includes Polish translations of the lyrics.

Track 1 taken from “Nemesis Online”.
Track 2 taken from “The Golden Age”.
Tracks 3, 8, 9 taken from “From Here You’ll Watch The World Go By”.
Track 4 taken from “The Crushed Velvet Apocalypse”.
Track 5, 6, 10, 13, 14 taken from “The Maria Dimension”.
Track 7 taken from “The Hallway Of The Gods”.
Track 8 is written as: Remeber Me This Way
Track 11 taken from “Shadow Weaver”.
Track 12 taken from “Malachai”.
Includes a booklet with Polish translations of the lyrics.

 

 

A Perfect Mystery

THE LEGENDARY PINK DOTS

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Cover ImageRelease date and tracklist

2000 US CD Caciocavallo CAD11

  1. Lent – [MP3]
  2. When I’m With You
  3. When Lenny Meets Lorca – [MP3]
  4. Skeltzer Spleltzer
  5. Mood 159
  6. Pain Bubbles
  7. Blue
  8. Condition Green – [MP3]
  9. Death Of A King
  10. Godless

 

***
Cover Image2001

US LPx2 Beta-Lactam Ring MT050

side a

  1. Lent – [MP3]
  2. When I’m With You
  3. When Lenny Meets Lorca – [MP3]
  4. Skeltzer Spleltzer

side b

  1. Mood 159
  2. Pain Bubbles
  3. Blue
  4. Condition Green – [MP3]

side c

  1. Death Of A King
  2. Godless

side d

  1. Premonition 25

***

 

November 14, 2012
NL self-released on Bandcamp

  1. Lent – [MP3]
  2. When I’m With You
  3. When Lenny Meets Lorca – [MP3]
  4. Skeltzer Spleltzer
  5. Mood 159
  6. Pain Bubbles / Blue
  7. Condition Green – [MP3]
  8. Death Of A King
  9. Godless
  10. Premonition 25
  11. Blue (Full Glory)

 


Credits
  • Ryan Moore – bass, drums, percussion, sound processing
  • Martijn de Kleer – guitars, violin, drums and bass
  • Qa’Sepel – vox inhumana, keyboards
  • The Silverman – keyboards, filters, sound processing, voices from beyond
  • Niels van Hoornblower – saxophones, flute, bass clarinet, percussion
  • Frank Verschuuren – sound processing

Notes

Vinyl edition has a gatefold cover and separate lyric sheet. Also includes a white paper sheet with a pink dot on it.
The vinyl release features slightly different mixes of some tracks.

THE LEGENDARY PINK DOTS- A Perfect Mystery REDUX (2012 Remaster)

The year 2000

End of the second millennium and end of an era for The Dots. Ryan left after this album to focus on his excellent Twilight Circus Project while Frank Verschuuren departed for a career in the New World .

The final gasp of the Dots’ “big” line-up lacks consistency.  Some fine tracks that stand the test of time, but some regrets about not capturing the enormity of “Pain Bubbles ” in the studio environment.Likewise “Lent” often sounded better live….but perhaps that’s inevitable. The extended LPDs line-up somehow delivered their best work on stage at this time.

Worth a listen is Premonition 25- in my humble opinion the best of this long running saga of dark epics.EK

Artwork here is from the hyper-limited vinyl version released by Beta-Lactam Ring Records.Nienke Poiesz is the creator.


Press Release

Power. The unutterable lust for power. How would it be if there was no shame attached to this trait? A belief in yourself as puppet master, shaping lives, moulding a world together that fits you like a glove; ultimately the certainty that only you exist and everyone and everything around you is merely a pliable illusion. The universe can only tolerate so much madness, and as the lust grew, he faded. And nobody forgave or honoured him for his actions because they couldn’t remember his name or his face. Deeds, events slipped into history, into mythology, into stories to scare children with, into nursery rhymes of which nobody could decipher the meanings…. Into almost nothing. Almost. And him? Didn’t he simply get what he wanted? The last doubts cast aside, a confirmation that only he existed in an empty universe that he had to fill? To fill, but with what? Still the shapes haunted him because they came unbidden, and they slipped away before he could catch them and give them substance. His substance. And still the voices haunted him, because they were not HIS voices yet they were somehow familiar. However, familiarity could never fit in this One-dimension. And he tried to think of nothing, and he applied himself with patience. And he almost succeeded. Almost.


Reviews

Firmly in their psychedelic- goth period, A Perfect Mystery is one of the more conventional and enjoyable releases in Legendary Pink Dots’ extensive discography. The album settles into a pattern where songs begin with a slow, atmospheric start and then increase instrumentation, which turns up the musical tension and explodes in a trippy fury of mad, whirling, musical dervishes, with Edward Ka-Spel’s foreboding lyrics wavering over everything. It all comes together perfectly on “Pain Bubbles,” where the Silver Man’s swirling keyboards and Niels Van Hoorn’s sax dance around each other over a pulsating beat. A gentle exception to the pattern, and a standout track, is the gentle groover “Blue,” a spacey guitar-and-drums ballad that mutates into ambient dub that evokes drummer Ryan Moore’s side project, Twilight Circus Dub Sound System. “When I’m with You” shows the rockier side of the group, a slow groover that intensifies and peaks majestically with an outstanding sax solo. The only misstep is the apocalyptic Appalachian chant “Skeltzer Speltzer.” a psychedelic hoedown that sounds like Malcolm Mooney-era Can, but at one-quarter speed. Overall an excellent introduction to the band. Those not afraid of mildly challenging material should dive in enthusiastically. Note that the vinyl version of this album contains different mixes than the compact disc, and also includes an additional track. – James Mason, All Music Guide

***

I’ve seen the Legendary Pink Dots in concert twice and have heard live recordings, but this is the first studio album I’ve heard. Originally released by Soleilmoon in 2000, several of these songs sound familiar, which makes sense as this was the album they were surely supporting when I saw them perform in 2000. The Beta-Lactam release of the CD is a 2-LP set housed in a beautiful gatefold jacket, and includes an entire side (one lengthy track) not on the original CD. The Pink Dots web site discography also notes that the vinyl has different mixes of the tracks.

Of the standard Pink Dots styled songs, “Lent”, “Pain Bubbles”, and “Condition Green” are my favorites. I’m almost certain “Lent” is the song they opened the show with when I last saw them in 2000. I really like the combination of droning ethereal electronics, sax, Martijn de Kleer’s guitar, and Ka-Spel’s haunting voice. de Kleer has a guitar style that at times reminds me of Dave Gilmour. The song is slow paced but there’s a tremendous tension that builds throughout, the electronics and guitar giving a space rock edge to the music. “Pain Bubbles” is similar and culminates in an intense space jam and some more tasty guitar from de Kleer. “Condition Green” is a nice song with a floating psychedelic atmosphere. Acoustic guitar, wah’d electric guitar, flute and bubbly space synths make for a magic carpet ride backing to Ka-Spel’s vocals. “When Lenny Meets Lorca” is a 60’s pop-psych sounding tune with steady dancey percussion and razor sharp guitar attacks, phased pulsating drones, bubbling space synths, and a flute melody that gives an extra psychedelic kick to the music. A little different but worthy of mention is “Skeltzer Speltzer”, a whimsical song that sounds like an avant-garde Celtic pub tune. But the real earcandy for space rock fans is “Godless” and “Premonition 25”. “Godless” is a lengthy psychedelic voyage with poetic Daevid Allen styled delivery from Ka-Spel. It includes some of the freakier, and more overtly space rock, music heard on this set and is definitely one of the better headphone tracks. Love those pulsating beats, phased drones, raga styled acoustic music, and swirling electronics. “Premonition 25” is the side long bonus track and showcases the more experimental side of the Pink Dots. It’s a Revolution #9 styled freakout journey with lots of oddball voice and sound samples, loops, and space electronics that are both collage styled aggressive and floating ambient. This one’s for the dosed audience.

It wasn’t lost on me that the Legendary Pink Dots pretty well packed the house both times I saw them live. Probably the best crowds I’ve seen for a band that plays adventurous music that is often in the space rock realm. The band have a knack for good songwriting which may attract the larger audience, and I was impressed with the combination of solid songs and spacey, often experimental, music. I’ll have to check out more of their studio releases. – Jerry Kranitz, Aural Innovations

***

For those of you who have the opportunity to see the tour for this new album, take it, and experience the unique space rock jam sessions that focus on this new material. Their new direction is improvisation and all-out jamming, and the music on this disc is some of a very joyous and new nature to the Pink Dots. The lyrics are wonderful, of course, sticking to Edward’s excellent story-telling style, but most of them have a more rhyme-schemed, verse, chorus, verse style that is very out of the ordinary for him. Niels van Hoornblower’s winds are throughout the disc, as well as Ryan Moore’s distinct dub style and The Silverman’s wonderfully eerie and spacey keyboards and effects. Martijn de Kleer mostly plays guitar, it seems, but also adds in superb violins on such tracks as “Skeltzer Spletzer.” The CD really brings you back to the show, with a spellbinding and uplifting feeling – upbeat and more solemn tracks alike. As Edward said in a recent interview, a lot of the music on this disc “could never, in fact, be repeated.” – Daniel McKernan, Brainwashed

HTEZZSIM……………SING WHILE YOU MAY!


Lyrics

Lent

We, the starving volunteers; the ones who go without. The shoeless, hair-shirts, bonded, veiled; seekers of the drought now stand before your floral gate to rend these rags and shout your name. In your name.

We came to whine, remind you that it’s time for endless vigil. On stone cold floors, on ashes or on white hot nails. Slow motion tip-toe and vicious gales that flex then flail then punch from all directions. In your name. Our crosses rotting in the rain, we hang before you in your name.We bear the bitter mark of Cain.

When I’m with You

From here to there in minus time, a spirit casts a line to fish alternatives and Caesar lives. It’s 1939. It’s Fall. We eat pizzas by the pool…we watch the Christians sing then fall in quadro. 50 legal channels, this one sponsored by St.Paul. Are you playing me? (Where next ?) Year sub-zero here in Baghdad,s uper-heroes stalk the street. The bitter moon looks down and laughs while I lie smoking in the bath with you. Now spray these lips with superglue, I’m lying through my teeth – it’s ocean blue in Casablanca, but it’s burned out black beneath. Playing me… (where next?) It’s All Souls Night. I’m frightened because I’m standing here alone. I watched the last bus fly to Brighton. Now life’s empty but it’s home. And I skip lightly through the garbage, call you on your mobile phone. The message says you’ve re-located. “Leave a message…here’s the tone.” Playing me? (Where next?)

When Lenny meets Lorca

I practised in the mirror, dyed my hair black desert blonde. Got dead-drunk porcupine mascara. Learned your habits, sing your songs by heart. The gestures,a ll the subtleties… You’re not alone my far-off prince though only I know really what you go through. When Lenny meets Lorca, they’ll walk on the water. I know they want a piece of you but I just want to share. I’ll throw open all my doors for you, wear orchids in my hair. I’ve traced your number now and though the message says “Not there!” Hear me, my frustrated prince, as I declare “Come and meet your twin!” When Lenny meets Lorca, they’ll walk on the water.

Skeltzer Spleltzer

Two bees behind the curtain. We’re certain we’ll find our way outside. We’ll climb the window and when it seems we’ve never got so high, we’ll slide. Those depths we’ve never met before. I’m tired – I guess you feel the same. We’ll try it once again. But we’ll slide. Now take your coat and leave the room, ensuring you’ve locked us safely in. On no account should you assist us. We’re desperate. We slide…

Mood 159

Far above the idle crowd
I catch your apprehension
Far aimless on a fatal wind
That plays for my attention
It premiers – your requiem
swings ‘round these opaque windows.
Still, you’re full of air my friend
Still, you point your finger
in the dark.
Watch those burning eyes my friend
They’re turning to the East
Tracing Beast that has no heart, no borders
So it seems
Now you went too far my friend
And me, I have my orders
BANG! It’s just my work my friend
Me, I come mail-order

Pain Bubbles

Watched the boulder on the mountain bounce onto her head. I felt I should have warned her, but the first rule’s “Nothing said…” So nothing’s done…she smashed into little pieces, and me? I simply fled… When she puts herself together, I will hover overhead, crying “Ahhh…” The bigger the catastrophe, the more I hang around to feed on victims lying under me. I make that special sound that makes you laugh yourself to pieces, gets you rolling on the ground, gets you screaming “Ahhhh…” As you slide into the first dimension I pencil in the lines. No matter how grand your intentions, your destiny is all mine. I’m not giving you an answer, I’m just leaving you the time to find out what it’s like to be here crying all the the time. Crying “Ahhh….”

Blue

Everything we feared was swept inside a little box pushed out of sight for many years while we would talk about tomorrow.Two pedestals, a crowded room, we’d both lay out our past but only touch a glass divide that grew a little wider every night. But your memory was hungry and I watched you court your shadows in reverse. And from my corner, I would curse but never say a word. And still I like to think that we shared. Still I like to think we truly cared. And sure we had our dreams, but never dared. Tell me, lover, what’s in like in there? In the Blue Room.

Condition Green

I’m waiting at your bedside. I’m waiting for a sign. I never sleep, “Bleep..bleep” means I’m contented. I’ll be fine…And I know it’s been a year now, and I know it could be five. Don’t care what doctors recommend I’ll keep you alive. (No matter what it takes, I’ll wait. I’ll keep you alive.) Took a liver from a preacher, had that crooked jaw re-shaped. That ol’ heart was shipped from Zanzibar. Those arteries have been scraped. When it’s over you’ll be happy – like being born a second time. Don’t care what the neighbours say, I’ll keep you alive (No matter what it takes, I’ll wait. I’ll keep you alive…) If you could only answer me, I know you’d give a nod, and keep that little white light blinking… No I am not playing God. It’s the Lord above who pulls the strings, He does not pull the plug. And I remain his humble servant, fingers double-crossed for luck. I’ll keep you alive. (No matter what it takes, I’ll wait. I’ll keep you alive.)

Death of a King

A man’s allowed to cry today…to put his feelings on display. No ridicule and no disgrace. We’ve lost a king, but not his face. And should I fall apart in public, it’s allowed. No…it’s demanded. Zoom in, see how small I am. I’m humble now but, I hope, big-hearted. Let me be confetti on my grave. And all the secrets kept within these walls are scattered on the wind. He’s human now. He’s clipped his wings. The king is dead. Long live the king! Black ribbons hang now from his portrait. Candles flicker as the day breaks. Still he mutters, still he shakes…we’ve lost a king, but not his face. Still we wait for wisdom at his grave.

Farewell, Milky Way

THE LEGENDARY PINK DOTS

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Cover ImageRelease date and tracklist

2000
US CD Caciocavallo CAD5

  1. A Crack In Melancholy Time
  2. On Another Shore
  3. Vigil-Anti
  4. Love In A Plain Brown Envelope
  5. 9 Shades To The Circle
  6. Demolition 13
  7. Bella D
  8. Needles
  9. Space Captain (Extended)

 

21 January 2014
NL enhanced MP3 self-released on Bandcamp

  1. A Crack In Melancholy Time / On Another Shore  12:30
  2. Vigil-Anti  05:36
  3. Love In A Plain Brown Envelope  04:33
  4. 9 Shades To The Circle / Demolition 13  27:40
  5. Belladonna  03:39
  6. Needles  08:01
  7. Space Captain (Extended)  10:17

Credits

  • The Silverman – keyboards
  • Ryan Moore – bass, drums
  • Martijn de Kleer – guitars, drums
  • Edward Ka-Spel – voice, keyboards
  • Niels van Hoornblower – horns
  • Raymond Steeg – sound wizardry
Photography [Cover] – Heather Holland, Mike
Recorded By – Hans Meijer*, Raymond Steeg
A big thank you to `Marylou who made this event happen.

Notes

Recorded live at The Melkweg (Dutch for “The Milky Way”) in Amsterdam for VPRO Radio in 1994. It was the LPDs last show at the club after playing there each year since 1984, hence the title.

***

from Bandcamp:
A truly superior recording of The Dots in full flight at Amsterdam’s Melkweg venue in 1994.  Oddly, despite a sizeable turnout and a lively performance, the night marked the end of The Dots’ close relationship with
the club which dated back a whole decade.

In fact it marked the end of The Dots’ connection with VPRO Radio too, who recorded and later broadcasted the show.That was also a relationship that stretched back for years.  From the band’s point it felt as if their adopted country had literally declared them redundant and had rather cynically dispatched them, and it’s fair to say that things were never quite the same in The Netherlands for the Dots again.
This cd was released for The Dots’ US tour in 2000 by Soleilmoon Records.


Reviews 

A lovely recording of the Dots show from 1994 in Amsterdam’s Milky Way Club. Not the best quality, but surely not the worst for it being a live show. There is a nice blend of songs on here – mostly their fav’s from their live line up, from “Space Captain” to “A Crack in Melancholy Time.” Edward and the band jam together and, even though heard on a stereosystem, bring forth an array of sinister tunes that can truly bring you back to their captivating live performances.

This version of “9 Shades to the Circle,” like their current tour’s encore, strays lyrically from the Nine Lives to Wonder original, and at this show includes very haunting percussion effects and startling crashes that literally made me jump and rush to turn the volume down. “Premonition 13” gives chills with its bitter edged bite of captivating words and changing melodies. The version of “Belladonna” is acceptable, despite barely being able to hear Edward’s voice. The original version of “Needles” appears here as well, and eerily comes and goes, fading into an quiet, awesome and completely awe-inspiring extended version of “Space Captain,” which is a definite highlight of the show.

The Milky Way was the first club they played in Holland and this concert was their final show before the club closed its doors. – Daniel McKernan, Brainwashed