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We’ll Get Around to You

THE LEGENDARY PINK DOTS

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Cover Image

Release date and tracklist

December 17, 2014
IT 7″ Norton North

Side A
We’ll Get Around to You

Side B
Testing 123 (V2)

 

08 February 2015
NL MP3 self-released on Bandcamp

  1. We’ll Get Around to You
  2. Testing 123 (Version)

Credits

  • Edward Ka-Spel
  • The Silverman
  • Erik Drost
  • Ray Steeg

Notes

Cover Image

7″ record:  lenticular (3-D) COVER revealing 4 different images
numbered limited edition of 200 black vinyl / 200 transparent vinyl
(p) + (c) Dadaism Neuf 9 Neuf – II

from Bandcamp:  The 7″ on black vinyl is a THREE-DIMENSIONAL cover on Norton north records…A beauty! There will be a transparent pressing available as a bonus item in the forthcoming “Synesthesia” vinyl box set.

One previously unreleased song and an alternative version of the penultimate track on “Code Noir” presented on a 7″ single that is such a beautiful presentation it takes the breath away. Don’t be fooled by the image above- the cover is THREE-DIMENSIONAL!!! Thanks to Norton North for this first in Pink Dots’ History…we’re proud of this….

 

 

 

The Legendary Pink Dots’ Yuletide Special 2014

THE LEGENDARY PINK DOTS

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Cover Image

Release date and tracklist

24 December 2014
NL MP3 self-released on Bandcamp

Pagan Place

Seasonal Chill


Notes

It’s that time of year Brothers and Sisters. Eat, drink, be Merry… tomorrow we rise and rid this cruel World of all that is rotten. Blessed be…..

Beware, do not play this to inebriated and potentially unprepared relatives.
This Seasonal Special will be taken down with the decorations on the appointed day.

This release was available from December 24, 2014- January 5, 2015.

 

 

No Star Too Far (concert review by The MusicMissionary)

No Star Too Far – My take on Legendary Pink Dots’ Nov. 10, 2010 concert in Austin

Imagine that a group of pagan priests knew all the right spells, got hold of some electronic equipment and assembled a starship powered by dreams and magic. That image came to me Wednesday night as I saw the Legendary Pink Dots in concert for the third time.

I always get the feeling I’m seeing a mystical event rather than a mere concert when I see the Dots play. Obviously the material has something to do with it, with its dreamlike mix of symbols, philosophy and dark humor, accompanied by electronic beats and washes of sound. There’s also something hypnotic about the way singer Edward Ka Spel, dressed in his robe and scarf, moves his hands. I get the feeling I’m watching a shaman perform a ritual.

The Dots played in a club on Red River called Elysium. A good club for a band like the Dots, the Elysium tends to host bands of the darker variety – goth, industrial and the like.

I wondered what they would be like with the new lineup. Short answer: They’ve still got it. Erik Drost, LPD guitarist from 2003 to 2006 is back in the band, coaxing pleasant screams out of his instrument. I definitely missed woodwind specialist Niels Van Hoorn’s zany presence, but without him you could really see how closely Ka Spel and Phil “The Sillverman” Knight work together. Silverman with his massive table of electronics, queuing up notes, rhythms and textures; Ka Spel with his smaller table, producing melodies and sound effects as he sings. All finely coordinated. Ka Spel pilots the starship, while Silverman operates its powerful engine, or maybe it’s the other way around?

I started out jotting down the setlist on my cellphone, but gave up pretty quickly and just let the music wash over me. The band has such an extensive back catalog that even if you’ve been a fan for years they can play a song you’d swear was new that turns out to be something old you just haven’t heard yet. I can tell you they had a satisfying mix of old favorites and songs off their latest, Seconds Late for the Brighton Line.

They opened with “The Unlikely Event” from All the King’s Horses, followed by “Third Secret” from The Maria Dimension, “Rainbows Too” from Plutonium Blonde, a really cool spoken word that might’ve been “God and Machines” from the new album, then “Russian Roulette,” the first song on the new album. Followed by lots and lots of great music, including many of my favorites. The encore featured a kickass version of “Birdie” from All the King’s Horses. About two hours of music altogether.

Just one sour note. A guy with long blond hair and a tank top who was either crazy or on drugs or both had to be escorted out by the bouncer. He kept shouting out nonsense at the band. Funny at first, then annoying. Then waving his arms in people’s faces. Finally a guy on the front row slipped out through the crowd, and pretty soon a big biker looking dude went over and dealt with crazy dude. After that no more distractions, which was awesome. I feel like I owe front row guy a beer for fetching the bouncer. The show certainly did get better after that.

The music was enhanced by the trippy film and slide collage from Lori “Surfer” Varga and her trusty assistant Eric. I’ve met her before – used to watch her film presentations at the Cathedral of Junk. I got her number and plan to interview her in the near future.

Note: Always take at least $20 or $40 to any LPD concert so you can take advantage of their amazingly well-stocked merch table. You’ll be kicking yourself later on if you don’t. You’re liable to find out that rare live album you were eying is impossible to find, or impossible to find without paying a premium to somebody on eBay.

I got the T-shirt with the Roulette design from the tour. Black of course. Almost got Ka Spel’s latest solo effort, The Minus Touch, but wound up getting the tour-only release by Ka Spel and The Silverman, The Thirty Year Itch. I’ve given that a few spins already and it’s quite good. Two long tracks. The first is a triptych on the subject of loneliness — a one night stand that didn’t happen, adrift at sea; and a monologue by an astronaut adrift in outer space followed by a “creation story” about the Big Bang; the second is a long experimental soundscape. Nice addition to my growing Dots-and-related collection.

I’ve been a huge Legendary Pink Dots fan for many years. I posted a sort of Dots 101 about the group a while back. There are several YouTube videos in case you haven’t heard their music. I also posted a list of tour dates here. The North American tour is winding down, but you’re in luck if you live on the West Coast. Quite a few California dates left, plus one in Oregon.

And send a little love their way if you can. They create their wonderful, thoughtful music and tour the world on a shoestring budget. LPD music and apparel can be found on the ROIR website.

source: http://bit.ly/1DAKq4g

 

Happy Go Lucky

BEANSPROUTS

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Cover ImageRelease date and tracklist

June 2008
NL CD self-released (not on label)

  1. True
  2. Shine
  3. Desperate Man
  4. Icecream Parlour
  5. Under the Weather
  6. Happy Go Lucky
  7. Shili Bean Baby
  8. Ghosts
  9. Bittersweet
  10. Close
  11. Laundromat Blues
  12. Nature’s Call

Credits

  • Martijn de Kleer- Vocals, Acoustic Guitar, Electric Guitar, Slide Guitar, Mandolin, Banjo, Fiddle, Harmonica
  • Liesbeth Kemerlings- Vocals, Acoustic Guitar
  • Roel Spanjers- Accordion (1-11)
  • Harmen de Bresser- Bass
  • Gabriel Peeters- Producer, Mixed By, Mastered By, Drums, Electric Piano [Wurlitzer Piano], Backing Vocals [Harmony Vocals], Tambourine
  • Gurf Morlix- Steel guitar (pedal)

Review

Dutch Singer-songwriter couple Martijn de Kleer and Liesbeth Kemerlings form the basis of the band Beansprouts. They recorded their debut album titled Happy go lucky with a full back-up band, and they sure did pick the right people. As soon as you hear the fiddle and five string banjo in the first song you can tell that these guys paid some dues to get that authentic feel to their sound, but there’s a lot more to this band than just banjo’s and fiddles.

“a surprisingly strong and versatile debut. They have an incredibly effective pen at their disposal for writing memorable pop songs; therefore this is a record that doesn’t seem to leave your CD player.
With this debut Beansprouts manifest themselves as the new standard barriers of Dutch rootsmusic. A very big promise for the future.” Erwin zijleman -Velvet Music

All the songs on this CD are their own material, but somehow they sound as if they’ve been around forever. The lyrics find a perfect balance between straight from the heart honesty and dry humor which makes them intriguingly personal but never hard to digest. The switching between two vocalists comes as a pleasant surprise, and when they go from a folky sound to electric with drums it all sounds cool and natural. And hey, Gurf Morlix (Lucinda Williams, Mary Gauthier) plays some damn sweet Pedal steel on a few songs.
Call it electric acoustic rootsmusic with a Dutch American flavor, 
this is one of those records that you play, a lot..

“with Happy go lucky beansprouts instantly belong to the absolute top of the European Rootsmusic scene, and they achieve the impossible by putting out a perfect debut album.”
Benny Metten – Ctr.Alt.Country

 

The Stranger It Gets Part II (Lost Tapes 1991-1995)

MARTIJN DE KLEER

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Cover ImageRelease date and tracklist

October 16 2008
NL CDr self released (not on label)

  1. Water Witch
  2. Faces
  3. Sweet Dreams
  4. Meet Me
  5. Bottom of the Well
  6. Stupid Little Bird
  7. Church on Time
  8. Same Old
  9. She Sees
  10. Water and Steam
  11. Presence
  12. Love Lane
  13. Fallen Days
  14. Good Night

Credits

Martijn de Kleer


Notes 

This CDr release is packaged in a thick cardstock envelope with the artwork printed on adhesive stickers on the front and back. The artwork on the CDr itself is similarly printed on an adhesive label. The following text is included on a separate insert included in the envelope:

“In September 2008 I decided to dig up my first home recordings. They were made on a 4 track cassette recorder in a very small backroom, my hideout from a wicked world. I sang lead and harmony vocals and played the following musical instruments: Acoustic and Electric Guitar, Bass, Mandolin, Drums, Elka Organ, Piano, Korg MS10 synthesizer, Harmonica. The tape hiss and sonic weirdness you might notice is entirely my responsibility and I must admit that on some of the songs it’s quite spectacular. Yet, I think that these recordings have stood the test of time bravely. Enjoy…

I want to thank: Gabriel for mastering, Edward for making the suggestion, Liesbeth for sleeve design and unconditional love, you listener for your ears.”

The insert included with Part II is a negative-image copy of the Part I insert, and even says “Part I” at the top. This may have been an oversight when the inserts for the two Parts were printed.

 

The Stranger It Gets Part I (Lost Tapes 1991-1995)

MARTIJN DE KLEER

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Cover ImageRelease date and tracklist

October 16 2008
NL CDr self released (not on label)

  1. Seriously
  2. Cornfield
  3. Anything You Want Me to Be
  4. Let Go
  5. Worlds Apart
  6. Northern Light
  7. Confrontation
  8. Careful Now
  9. Nostalgia
  10. Flashback

Credits 

Martijn de Kleer


Notes 

This CDr release is packaged in a thick cardstock envelope with the artwork printed on adhesive stickers on the front and back. The artwork on the CDr itself is similarly printed on an adhesive label. The following text is included on a separate insert included in the envelope:

“In September 2008 I decided to dig up my first home recordings. They were made on a 4 track cassette recorder in a very small backroom, my hideout from a wicked world. I sang lead and harmony vocals and played the following musical instruments: Acoustic and Electric Guitar, Bass, Mandolin, Drums, Elka Organ, Piano, Korg MS10 synthesizer, Harmonica. The tape hiss and sonic weirdness you might notice is entirely my responsibility and I must admit that on some of the songs it’s quite spectacular. Yet, I think that these recordings have stood the test of time bravely. Enjoy…

I want to thank: Gabriel for mastering, Edward for making the suggestion, Liesbeth for sleeve design and unconditional love, you listener for your ears.”

Some copies of Part I are missing the paper insert.